On a good day, it takes a little over two hours to drive the M40 from Birmingham all the way to London. If youâ€™re speeding to meet an emergency, you can make it in just over an hour and half. This weekendâ€™s film recommendation, Steven Knightâ€™s Locke, unfolds in real-time, as the eponymous main character Ivan Locke completesÂ the journey along the M40 before the credits roll by the 85th minute.
Tom Hardy plays Ivan Locke, who steps from the construction site where he works into his BMW in the late evening as the film begins. This is the only time we will see Locke outside of his car for the duration of the film, and it is the only time we will see him in the same frame as another human face. Locke is one of those films that wrings a literary conceit as dry as it will allow: It doesnâ€™t take long before the audience cottons on to the fact that this film will end before Locke reaches London, and there will be no reprieve from the eight or so different angles from which weâ€™ll view his face behind the steering wheel. The only other voices we hear are disembodied, played through the speaker of his car’s Bluetooth. Locke is alone. Continue reading “Weekend Film Recommendation: Locke”