Everyone is entitled to his own opinion, but not his own facts. Founded by Mark Kleiman (1951-2019)
Military education, apparently,…
is to education as military music is to music, as the old joke about military justice goes.
When we don’t need to kill people (and I do not diss the military function of the military), our armed forces still create value for our society by modeling a code of honesty and personal honor, just like professional sports; people we can look up to and try to emulate, who do it the hard way and don’t cheat, and who know we all depend on each other and go out of their way to share credit for their accomplishments. Right?
Oops.Â Poor Walsh is being savaged as a plagiarist, and I think there had better be something in the UCMJ that would support a court martial. But that isn’t even the big outrage in this story (HT member of a private listserv).Â There’s no evidence in this story that Walsh’s behavior is typical or common; anything as big as the Army will have some number of cheats, liars, sexual abusers, and whatnot.Â What we should be up in (figurative) arms about is what the story does indicate to be a convention: our government is operating a “college” that regards fifteen pages with no original thinking or insights as a master’s thesis.Â I read and supervise these things in my day job: this is not a master’s thesis, nor an undergraduate thesis, and (close to) not a course term paper, and wouldn’t be any of those things if Walsh had actually written it.
Where is the accreditation committee for the Army War College? Where is Darrell Issa when we need him?
Author: Michael O'Hare
Professor of Public Policy at the Goldman School of Public Policy, University of California, Berkeley, Michael O'Hare was raised in New York City and trained at Harvard as an architect and structural engineer. Diverted from an honest career designing buildings by the offer of a job in which he could think about anything he wanted to and spend his time with very smart and curious young people, he fell among economists and such like, and continues to benefit from their generosity with on-the-job social science training.
He has followed the process and principles of design into "nonphysical environments" such as production processes in organizations, regulation, and information management and published a variety of research in environmental policy, government policy towards the arts, and management, with special interests in energy, facility siting, information and perceptions in public choice and work environments, and policy design. His current research is focused on transportation biofuels and their effects on global land use, food security, and international trade; regulatory policy in the face of scientific uncertainty; and, after a three-decade hiatus, on NIMBY conflicts afflicting high speed rail right-of-way and nuclear waste disposal sites. He is also a regular writer on pedagogy, especially teaching in professional education, and co-edited the "Curriculum and Case Notes" section of the Journal of Policy Analysis and Management.
Between faculty appointments at the MIT Department of Urban Studies and Planning and the John F. Kennedy School of Government at Harvard, he was director of policy analysis at the Massachusetts Executive Office of Environmental Affairs. He has had visiting appointments at UniversitÃ Bocconi in Milan and the National University of Singapore and teaches regularly in the Goldman School's executive (mid-career) programs.
At GSPP, O'Hare has taught a studio course in Program and Policy Design, Arts and Cultural Policy, Public Management, the pedagogy course for graduate student instructors, Quantitative Methods, Environmental Policy, and the introduction to public policy for its undergraduate minor, which he supervises. Generally, he considers himself the school's resident expert in any subject in which there is no such thing as real expertise (a recent project concerned the governance and design of California county fairs), but is secure in the distinction of being the only faculty member with a metal lathe in his basement and a 4Ã—5 Ebony view camera. At the moment, he would rather be making something with his hands than writing this blurb.
View all posts by Michael O'Hare
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