It’s October again, which means that we’re kicking off another month of horror-themed movies here at RBC! The first in the series is a new interpretation on the alien femme fatale story, in Jonathan Glazer’s Under the Skin.
The action begins with a motorcyclist bringing a lifeless woman to the back of his van. There, his accomplice, a naked woman played by Scarlett Johansson, takes the victim’s clothes for herself. Already five minutes in to the film, and very little has been explained yet, nor will it for much of what follows. Instead, viewers have to divine who the characters are, and what their motivations may be, based on the smallest fragments of information.
So, when the woman starts driving the van around the streets of Glasgow with the intent to seduce men and bring them back to her home, we believe we may have a grasp on what she’s about. We’d be wrong. Once inside her home, we learn that its interior is nothing but a pool of immaculate black oil, into which the woman’s suitors descend and are consumed during their pursuit of her. It’s not clear what happens to the men once they are submerged in the oil until half way through the film. By that point, the woman has amassed a sufficient number of victims that one of them notices another suspended in the mysterious black fluid. Upon reaching out to his fellow captive, he finds that the other man disappears into nothingness, leaving only skin behind.
Consequently, much of the first half of the film is devoted to trying to decipher who this protagonist is, what’s happening to the men she seduces, and why she’s doing it. Answers to any of these questions remain elusive. Therefore, you might just settle on thinking of her as an alien simply to make things easier on yourself. Yet one of the remarkable successes of Under the Skin is that we learn to invest in and sympathize with her all the same, despite all this not-knowing. Continue Reading…