Ever wonder what the result would be if Steve Martin tried to make a Woody Allen movie? You will wonder no longer after watching this week’s film recommendation: 1991’s L.A. Story.
The plot concerns wacky L.A. weatherman Harris Telemacher, who is in a mid-life rut. His extremely high-maintenance girlfriend (Marilu Henner, just perfect) is emotionally distant, his TV job is empty-headed, and something is missing at the heart of his life. But then he gets some mysterious advice from an electronic billboard(!) and wild events of a meteorologic and romantic nature ensue, centered upon a lovely British journalist whom he find irresistible. Meanwhile, L.A. is L.A., and is as much a character as any of the actors in this sweet and funny film.
Martin shines here both as a screenwriter and actor. His script is filled with laughs, including a number of literate in-jokes. It also includes a surprising amount of warmth, which Martin and his then-wife Tennant bring across beautifully as their love develops. Life in L.A. is parodied well, but Martin isn’t as bitter as Woody Allen. The result is more gentle fun-poking than lacerating humor.
This film was an early career success for Sarah Jessica Parker, who is appealing as SanDeE* (Not a typo). People who think that Zoey Deschanel invented the manic pixie dream girl need to see Parker in this film. In the first-rate supporting cast, Patrick Stewart does particularly well as the contemptuous head waiter at L’idiot, Woody Harrelson makes a fine boss/jerk and Richard E. Grant is sympathetic as Tennant’s lonely ex-husband.
But the producers made one TERRIBLE judgement, which is that they cut for running time’s sake the most funny supporting performance in the film: John Lithgow as agent Harry Zell. His scene re-emerged on cable rebroadcasts and the 15th anniversary DVD re-issue, so try if you can to get your hands on those because Lithgow is absolutely gutbusting.
There are moments when the film may strike some viewers as slowly paced or a bit precious, but it always gets back on track comically and dramatically in short order. Hooray for Steve Martin, who worked on the script for a number of years and managed to capture the foibles and virtues of Los Angeles and its denizens in an affectionate and highly entertaining way.
p.s. Interested in a different sort of film? Check out this list of prior RBC recommendations.